Friday, June 13, 2008

Graded Unit Results


I have everyone's Graded Unit Results.

Data protection law prohibits me from posting them here, so email me and I'll let you know in a reply.

A reminder - progression to HND2 is not automatic - you must have completed all first year units. If you're in doubt, speak to the relevant tutor.

Creative Industries assignments are fine - except for two missing - Anna Z and Jill S who must rectify this immediately

Wednesday, June 4, 2008

Class Reps meeting Monday 9th June

HND Class Reps and anyone else who wishes to attend a departmental annual course review meeting on Monday 9th at 9.15am in Room 187 are welcome to come along. There will be a free biscuit.

Areas that will be discussed:

Accommodation
Curriculum design
Assessment
Achievement
Retention
Recruitment

Friday, May 23, 2008

Monday 26th May

There is no lecture on Monday

(But unlike some other places, Monday is not a holiday)

The final (Creative Industries) written assignment deadline is Monday 2nd June - lecture theatre 2 @ 12noon.

Monday, May 19, 2008

Constructed Image deadline - 28.5.08

Weds 28th May in Studio 22 @ 9.30am

We will look at ALL the work for this unit (even if you showed some at the work-in-progress assessment last month):

Hotel food
Spring
City
Infra-red

You should submit your work in a folder along with your soup 35mm transparency and timelapse montage.

Studio 22 will be available on Weds 4th and 11th (some of you may have to remake images).

Monday, May 12, 2008

Graded Unit - Written Evaluation

Minimum 500 words - for Monday 19th @ 12noon - lecture theatre 2

An outline of the project
An overview of the planning and development stages - including any significant changes from the proposal
Positive aspects
Areas for improvement
Identification of knowledge and skills which have been gained or developed
Conclusions

There are fifteen marks available. Try to claim as many as you can.

Wednesday, May 7, 2008

Graded Unit - Monday 12th


Lecture theatre 2 @ 10.00am - final submissions and workbooks. Please clearly label your work with: NAME, STUDENT NUMBER, COURSE and COLLEGE.

SQA guidelines require me to tell them who did not submit their work on time. You lose marks for unathorised absence and significant lateness.

DO NOT try to give me your work before Monday. There's too much of it for me to keep track of - whereas you all only have your own project to look after.

You will present your work to the group, describing what you've done - how well it's gone and if there's anything you'd do differently. These discussions will be useful for compiling your written evaluation.

Details of the written evaluation criteria will be given out on Monday 12th. This is due on Monday 19th at noon. SQA will collect the work soon thereafter.

Tuesday, April 29, 2008

Creative Industries assignment

What areas of work are you considering when college finishes? Do you know what you will have to do to get there?

Apply for a 'staff' job? Launch yourself as a freelance? Take an assistant’s role? Buy a franchise? Move to another city or even another country?

Write 1000 words outlining your photographic career plans and the options you think are open to you.

Nothing is fixed, everything might change - and no-one will make any form of judgement about what you choose, but writing this will help you focus your thoughts.

Explain what you know and/or think you will have to do to get where you want to be. Can you identify the steps you will have to take?

Will you need funding or start-up capital? Further training? Will you seek advice, and if so who from? Is there are an area of business that particularly interests you? Have you seen a gap in the market? Do you have a USP (Unique Selling Point)?

Deadline Monday 2nd June - Lecture theatre 2: 12 noon

Graded Unit

Submission of final projects: Monday 12th May Lecture theatre 2 @ 10.00am

We will review all the work

Submission of written evaluation: Monday 19th May Lecture theatre 2 @ 12noon

All projects (proposal, research, pictures and evaluation) need to be package ready for collection. Please do not be late.

Monday, April 28, 2008

Tutorials Tues 6th May

9.15am

9.45am

10.15am Eva

11.00am

11.30am

12noon

Use the comment function to choose a time

Tuesday, April 22, 2008

Tues 29th April - Location Stock

That was a disappointing turnout on Tuesday. Thanks to the one person who turned up and to those who emailed me.

I have given you a lot of freedom on this module but I need to know what progress you are making. Otherwise I get in trouble with your class tutor and I don't like that.

To the rest... I really need you to turn up on Tuesday 29th April, between
1.15 and 3 to show me your work so far and/or discuss any problems or concerns you have.

If you can't make it in can you please drop me a note
(adam@scottishviewpoint.com) and let me know how you are getting on with the module.

Thanks,

Adam

Tutorials Tues 29th April

9.15am

9.45am

10.15am

11.00am

11.30am

12noon Jesus

Thursday, April 17, 2008

Location Stock

Can everyone please come in between 1.15 and 3pm on Tuesday 22nd April to show me their Location work so far. If you can't come in can you email me a summary of work so far. (adam@scottishviewpoint.com)

Tuesday, April 15, 2008

Tutorials 22nd April

9.15am Vicky

9.45am

10.15am

11.00am

11.30am

12noon Mike

Leave a comment to sign up

Professional matters


When you arrive at the point where you can't face being a criminal any longer, try googling Scottish Enterprise or Business Gateway

They will give you advice on what to do.

You must keep a record of all your purchases - receipts and ideally a separate bank account. (Purchases made prior to you going 'legal' can be used to lower your first year's tax bill.)

Information on Income Tax and National Insurance contributions is here

Tax is calculated on PROFIT not turnover, so get an accountant to look at your books. He or she will save you whatever fee they charge - and more.

Insurances are up to you - equipment, public liability, illness, pension, etc

A good resource for news, jobs, insurers, lawyers (and an annual review of the professional photo vest market) is the printed version of the British Journal of Photography, available in the college library - and also online

Friday, April 11, 2008

Monday 14th April

Lecture theatre 2 at 10.00am

Professional issues: Income Tax, VAT, Banks, Accountants and Pensions

Please think about a tutorial time in the next couple of weeks - I need to see you all individually at some point.

Tuesday, April 8, 2008

Tutorials - Tuesday 15th: Room 187

Please bring along your Graded unit work-in-progress and workbooks

9.15am Vicky

9.45am

10.15am Eilidh

11.00am Esti

11.30am

12noon

Post a comment through the link below to book a slot. I need to see all of you, and will have to dictate times if we can't negotiate.

Friday, April 4, 2008

Monday 7th April

Lecture theatre 2 @ 10.00am - we will look at 'The Bus' by Daniel Meadows


Don't laugh - people still look like this in Australia

Here's Daniel Meadows' official 'Bus project' website. Please take a look - there's a huge amount of information and some great ideas. The project is still very much alive.

French Philosopher Roland Barthes uses two terms to describe photographs:

Studium - is the surface impression of an image - it's technical quality or 'competence'
(Whether the image is ok - not bad - alright)

Punctum - is the wounding, personally touching detail which establishes a direct relationship with the image
(The bit that grabs us)

These concepts first appeared in Barthes's Camera Lucida (published in 1980)

Barthes's influence is greater than you might think, even in commercial design and photography circles

There's even a Punctum group on flickr

So anyway, back to these two muppets... it's the 1970s - they're wearing tartan - they must be Bay City Roller fans...
WRONG!

See the records he's carrying

Well, the top one is Deep Purple (manly Heavy Metal to you) - not cissy pop music for girls.

Before iPods and walkmans, young men used to take records round to their friends' houses to listen to - protected from the weather in a polythene bag.

And the scarf:

...is a Manchester United scarf. One of the few bits of merchandising fans could buy in an age before the commercialism of football started to fleece fans for replica shirts and official socks, underpants, bed linen and matching curtains...

These two young men are wearing tartan jackets to associate themselves with Manchester United and their Scottish manager (at the time...) - Tommy "The Doc" Docherty.

"The 'punctum' for me in this picture (and many of Daniel Meadows 1970s Bus portraits) is how I feel when I see the jackets, and haircuts, and imagine the smell of two young men who only bathed once a fortnight (if that).

I never had a jacket like that - my Mum wouldn't let me - and I would have been frightened if I walked down the street towards 'big kids' like them. They were the sort of lawless hooligans who would "kick yer 'ed in".

Now I see them and smile at how harmless, innocent, naive and comical they really were.

I also feel touched at the sight of the records - and remember that I often used to listen to music intently with friends. We would sit in each others' bedrooms and pore over every inch of the gatefold sleeves, devouring the lyrics and looking for mysterious messages scratched into the run-out groove.

People don't do that anymore.
I don't do that anymore.

But this picture transports me - like falling through a hole in the fabric of time and space, back to an age when things were simple - people ate meat and two veg everyday and knew their neighbours.

The punctum isn't necessarily a flaw, or a hole or a specific item - it best describes our emotional response to images (and perhaps people, music, places, tastes) - not something that everyone shares or understands - but matters indvidually to us.

Tuesday, March 11, 2008

Monday 17th CTS


We will look at what is known as the 'Directorial Mode'.

Photographers construct what they want to show - not record what is there. This is a fundamental concept that we looked at right back at the beginning of the course in 'Proof or Fiction' and we have returned to time and again, through the painterly aspirations of 19th century amateurs:
the fakery of Robert Capa's falling soldier:

the utopia of The Family of Man:

the incisiveness of Robert Frank's Leica:

the hyper-reality of Martin Parr's fill-in flash:

- and Chris Killip's imaginative painter on the beach:

Monday's presentation will include Gregory Crewdson, Phillip Lorca di Corcia, David Hilliard, NIcholas Nixon and Sally Mann.

There will be some discussion, so you might want to check them out in advance.

Monday, March 10, 2008

Darkroom deadline

Tuesday 18th March - Lecture theatre 2 at 10.00am

Please bring your mounted BW prints - we will look at all the work and share knowledge.

If you have booked Studio 22 to shoot, please come along for ten minutes or so.

Thursday, March 6, 2008

Tuesday 11th March

Mount cutting demonstration in Room 187 at 9.30am.

We will also discuss the allocation of individual tutorials - half hour slots on Tuesday mornings.